.,WebsiteJerry Lee Lewis (born September 29, 1935) is an American singer-songwriter, musician, and pianist, often known by his nickname, The Killer. He has been described as 'rock & roll's first great wild man.' A pioneer of and music, Lewis made his first recordings in 1956 at in Memphis. ' sold 300,000 copies in the South, but it was his 1957 hit ' that shot Lewis to fame worldwide. He followed this with ', ' and '. However, Lewis's rock and roll career faltered in the wake of his marriage to Myra Gale Brown, his 13-year-old cousin.He had minimal success in the charts following the scandal, and his popularity quickly eroded.

1. Jerry Lee Lewis Albums Ranked

Un delfino 2.part1.rar. MEGAUPLOAD - The leading online storage and file delivery service File name: 100 Best Relaxing Classics CD2 - Selubri 320.pa.rar File description. All Killer, No Filler: The Anthology (also called The Jerry Lee Lewis.

In the early 1960s, he did not have much chart success, with few exceptions, such as a cover of 's '. His live performances at this time were increasingly wild and energetic. His 1964 live album is regarded by music journalists and fans as one of the wildest and greatest live rock albums ever. In 1968, Lewis made a transition into and had hits with songs such as '. This reignited his career, and throughout the late 1960s and 1970s he regularly topped the country-western charts; throughout his seven-decade career, Lewis has had 30 songs reach the top 10 on the '. 1 country hits included ', ', ', and '.Lewis's successes continued throughout the decade and he embraced his rock and roll past with songs such as a cover of the 's ' and 's 'Rockin' My Life Away'.

In the 21st century Lewis continues to tour around the world and still releases new albums. His album is his best selling to date, with over a million copies sold worldwide. This was followed by, which has received some of the best sales of Lewis's career.Lewis has a dozen gold records in both rock and country. He won several Grammy awards, including a Lifetime Achievement Award. Lewis was inducted into the in 1986, and his pioneering contribution to the genre has been recognized by the. He was also a member of the inaugural class inducted into the. In 1989, his life was chronicled in the movie, starring Dennis Quaid.

In 2003, listed his box set number 242 on their list of '. In 2004, they ranked him number 24 on their list of the 100 Greatest Artists of All Time. Lewis is the last surviving member of ' and the album, which also included, and.Music critic has said of Lewis: 'His drive, his timing, his offhand vocal power, his unmistakable boogie-plus piano, and his absolute confidence in the face of make Jerry Lee the quintessential rock and roller.'

Jerry Lee Lewis Drive in Ferriday, LouisianaLewis was born in 1935 to the poor farming family of Elmo and Mamie Lewis in, in eastern Louisiana. In his youth, he began playing piano with two of his cousins, (later a popular country music singer) and (later a popular television evangelist). His parents their farm to buy him a piano. Lewis was influenced by a piano-playing older cousin, (who later recorded with 's Combo), the radio, and the sounds from Haney's Big House, a black across the tracks. On November 19, 1949, Lewis made his first public performance of his career, playing with a band at a car dealership in Ferriday. The hit of his set was a cover of artist 's 'Drinkin' Wine, Spo-Dee-O-Dee'. On the live album By Request, More of the Greatest Live Show on Earth, Lewis is heard naming as an artist who inspired him.

He was also influenced by the and popular country singers like. Williams in particular struck a chord with Lewis, who told biographer in 2014, 'I felt something when I listened to that man. I felt something different.' His mother enrolled him in the, in, so that he would be singing evangelical songs exclusively. But Lewis daringly played a boogie-woogie rendition of 'My God Is Real' at a church assembly, which ended his association with the school the same night. Pearry Green, then president of the student body, related how during a talent show Lewis played some 'worldly' music. The next morning, the of the school called Lewis and Green into his office to expel them.

Lewis said that Green should not be expelled because 'he didn't know what I was going to do.' After that incident, he went home and started playing at clubs in and around Ferriday and, becoming part of the burgeoning new sound and cutting his first demo recording in 1954. Around 1955, he traveled to, where he played in clubs and attempted to build interest, but he was turned down by the, as he had already been at the country stage and radio show in Shreveport. Recording executives in Nashville suggested he switch to playing the guitar. Career Sun Records In November 1956, Lewis traveled to, to audition for. Label owner was in Florida, but producer and engineer recorded Lewis's rendition of 's ' and his own composition '. In December 1956, Lewis began recording prolifically, as a solo artist and as a for other Sun artists, including. Marvel vs capcom 2 rom.

His distinctive piano playing can be heard on many tracks recorded at Sun in late 1956 and early 1957, including Carl Perkins's ', ', ' and 'Put Your Cat Clothes On' and 's 'Flyin' Saucers Rock'n'Roll'. Formerly, had rarely featured piano, but it proved an influential addition, and rockabilly artists on other labels also started working with pianists. On December 4, 1956, dropped in on Phillips to pay a social visit while Perkins was in the studio cutting new tracks with Lewis backing him on piano. Johnny Cash was also there watching Perkins. The four then started an impromptu, and Phillips left the tape running. These recordings, almost half of which were gospel songs, have been released on CD as.

Tracks also include Elvis Presley's ' and ', 's ', 's 'Don't Forbid Me' and Presley doing an impersonation of (who was then with ) on 'Don't Be Cruel'.Lewis's own singles (on which he was billed as 'Jerry Lee Lewis and his Pumping Piano') advanced his career as a soloist during 1957, with hits such as ', a Big Maybelle cover, and ', his biggest hit, bringing him international fame, despite criticism for the songs, which prompted some radio stations to boycott them. In 2005, 'Whole Lotta Shakin' Goin' On' was selected for permanent preservation in the of the Library of Congress.According to several first-hand sources, including, Lewis, a devout Christian, was troubled by the sinful nature of his own material, which he believed was leading him and his audience to hell. This aspect of Lewis's character was depicted in 's portrayal of Lewis in the 2005 film, based on Cash's autobiographies.As part of his stage act, Lewis pounded the keys with his heel, kicked the piano bench aside and played standing, raking his hands up and down the keyboard for dramatic effect, sat on the keyboard and even stood on top of the instrument. Lewis told the that kicking over the bench originally happened by accident, but when it got a favorable response, he kept it in the act. His first TV appearance, in which he demonstrated some of these moves, was on on July 28, 1957, where he played '.His dynamic performance style can be seen in films such as (he sang the title song from the back of a flatbed truck),.

He has been called 'rock & roll's first great wild man' and also 'rock & roll's first great eclectic'. Classical composer has also cited Lewis's style as the progenitor of his own aesthetic. Marriage controversy Lewis's turbulent personal life was hidden from the public until a May 1958 British tour where Ray Berry, a news agency reporter at London's (the only journalist present), learned about Lewis's third wife, Myra Gale Brown.

She was Lewis's and 13 years old (even though Brown, Lewis, and his management all insisted that she was 15) – while Lewis was 22 years old. The publicity caused an uproar, and the tour was cancelled after only three concerts.In 1960, Phillips opened a new state-of-the-art studio at 639 Madison Avenue in Memphis, abandoning the old Union Avenue studio where Phillips had recorded, Lewis, and others, and also opened a studio in Nashville. It was at the latter studio that Lewis recorded his only major hit during this period, a rendition of 's ' in 1961. In Europe, other updated versions of ' (September 1962 UK) and ' (March 1963) entered the.

On popular EPs, 'Hang Up My Rock and Roll Shoes', 'I've Been Twistin', 'Money' and 'Hello Josephine' also became turntable hits, especially in nascent. Another recording of Lewis playing an instrumental boogie arrangement of the favorite ' was issued on the label under the pseudonym 'The Hawk'. Smash Records Lewis's Sun recording contract ended in 1963, and he joined, where he made a number of rock recordings that did not further his career. The team at Smash (a division of ) came up with 'I'm on Fire', a song that they felt would be perfect for Lewis and, as Colin Escott writes in the sleeve to the retrospective A Half Century of Hits, 'Mercury held the presses, thinking they had found Lewis's comeback hit, and it might have happened if the hadn't arrived in, changing radio playlists almost overnight. Mercury didn't really know what to do with Lewis after that.' One of Smash's first decisions was to record a retread of his Sun hits, which may have been inspired by the continuing enthusiasm European audiences had shown for Lewis's brand of rock and roll, ( such as his appearance on the, backed by the British group Ritchie Blackmore and, which chartered for his Rock and shows, from Britain to Boulogne, at this time. However, none of Lewis's early Smash albums, including, Memphis Beat, and, were commercial successes.Live at the Star Club, Hamburg One major success during these lost years was the concert album, recorded with the in 1964, which is considered one of the greatest live rock-and-roll albums ever.

In 's book Lost and Found, producer Siggi Loch stated that the recording setup was uncomplicated, with microphones placed as close to the instruments as possible and a stereo mic placed in the audience to capture the ambience. The results were sonically astonishing, with Bonomo observing, 'Detractors complain of the album's crashing noisiness, the lack of subtlety with which Jerry Lee revisits the songs, the fact that the piano is mixed too loudly, but what is certain is that Siggi Loch on this spring evening captured something brutally honest about the Killer, about the primal and timeless center of the very best rock & roll.' The album showcases Lewis's skills as a pianist and singer, honed by relentless touring.

In a 5-out-of-5-stars review, Milo Miles wrote in Rolling Stone magazine that ' Live at the Star Club, Hamburg is not an album, it's a crime scene: Jerry Lee Lewis slaughters his rivals in a thirteen-song set that feels like one long convulsion.' Due to legal constraints, the album was not released in the United States. Country comeback Frustrated by Smash's inability to score a hit, Lewis was nearing the end of his contract when promotions manager called him and pitched the idea of cutting a pure country record in. With nothing to lose, Lewis agreed to record the Jerry Chestnut song ', which was released as a single on March 9, 1968, and, to everyone's amazement, shot up the country charts.

At the time of the release, Lewis had been playing in a rock and roll adaptation of Othello called Catch My Soul in Los Angeles but was soon rushed back to Nashville to record another batch of songs with producer. What followed was a string of hits that no one could have ever predicted, although country music had remained a major part of Lewis's repertoire. As Colin Escott observes in the sleeve to the 1995 compilation Killer Country, the conversion to country music in 1968 'looked at the time like a radical shift, but it was neither as abrupt nor as unexpected as it seemed. Jerry had always recorded country music, and his country breakthrough 'Another Place, Another Time' had been preceded by many, many country records starting with his first, ', in 1956.' The last time Lewis had a song on the country charts was with 'Pen and Paper' in 1964, which had reached number 36, but 'Another Place, Another Time' would go all the way to number 4 and remain on the charts for 17 weeks.Between 1968 and 1977, Lewis had 17 Top 10 hit singles on the Billboard country chart, including four chart toppers. Hits include 'What's Made Milwaukee Famous (Has Made A Loser Out of Me)', 'To Make Love Sweeter For You', 'She Still Comes Around (To Love What's Left of Me)', 'Since I Met You Baby', 'Once More With Feeling', 'One Has My Name (The Other Has My Heart)', and 'Sometimes A Memory Ain't Enough'.

The production on his early country albums, such as and She Even Woke Me Up To Say Goodbye, was sparse, quite different from the slick ' that was predominant on country radio at the time, and also expressed a full commitment by Lewis to a country audience. The songs still featured Lewis's inimitable piano flourishes, but critics were most taken aback by the rock and roll pioneer's effortlessly soulful vocals, which possessed an emotional resonance on par with the most respected country singers of the time, such as. In his book Jerry Lee Lewis: His Own Story, biographer Rick Bragg notes that the songs Lewis was recording 'were of the kind they were starting to call 'hard country', not because it had a rock beat or crossed over into rock in a real way, but because it was more substantial than the cloying, overproduced mess out there on country radio'.In a remarkable turnaround, Lewis became the most bankable country star in the world. He was so huge in 1970 that his former Smash producer, who purchased from in July 1969, wasted no time in repackaging many of Lewis's old country recordings with such effectiveness that many fans assumed they were recent releases.

One of his latter unreleased Sun recordings, ',' was issued as a single and soared to number 2 on the country chart, following Lewis's recent hit 'She Even Woke Me Up To Say Goodbye.' Singleton would milk these unreleased recordings for years, following The Golden Cream of the Country with later in 1970.Grand Ole Opry appearance Lewis played the for the first and only time on January 20, 1973. As Colin Escott writes in the liner notes to A Half Century of Hits, Lewis had always maintained ambivalent feelings towards ever since he'd been turned away as an aspiring musician before his glory days at: 'It was 18 years since he had left broke and disheartened. Lewis was never truly accepted in Nashville. He didn't move there and didn't schmooze there. He didn't fit in with the family values crowd. Lewis family values weren't necessarily worse, but they were different.'

As recounted in a 2015 online Rolling Stone article by Beville Dunkerly, Lewis opened with his comeback single 'Another Place, Another Time'. Ignoring his allotted time constraints—and, thus, commercial breaks—Lewis played for 40 minutes (the average Opry performance is two songs, for about eight minutes of stage time maximum) and invited —the one member of the Opry who had been kind to him when he had been there as a teenager—out on stage to sing with him. He also blasted through 'Whole Lotta Shakin' Going On', 'Workin' Man Blues', ', and a host of others classics before leaving the stage to a thunderous standing ovation. The Session and Southern Roots Lewis returned to the pop charts with ' in 1971 and ' in 1972, and this turn of events, coupled with a revitalized public interest in vintage, inspired Mercury to fly Lewis to London in 1973 to record with a cadre of gifted British and Irish musicians, including, and Albert Lee. By all accounts the sessions were tense.

The remake of Lewis's old Sun cut 'Drinking Wine Spo-Dee-O-Dee' would be the album's hit single, reaching number 20 on the Billboard country chart and peaking at number 41 on the pop chart. The Session would be Lewis's highest pop charting album since 1964's, hitting number 37. It did far better on the country albums chart, rising to number 4. Later that same year, he went to Memphis and recorded, a soul-infused rock album produced by Huey Meaux.According to Rick Bragg's authorized 2014 biography, 'the Killer' was in a foul mood when he showed up at Trans Maximus Studios in to record: 'During these sessions, he insulted the producer, threatened to kill a photographer, and drank and medicated his way into but not out of a fog.'

During one exchange that can be heard on the 2013 reissue Southern Roots: The Original Sessions, Meaux asks Lewis, 'Do you wanna try one?' , meaning a take, to which Lewis replies, 'If you got enough fuckin' sense to cut it.' Lewis was still pumping out country albums, although the hits were beginning to dry up. His last big hit with Mercury was 'Middle Age Crazy,' which made it to number 4 in 1977.Later career. Graceland's music-themed gateOn November 22, 1976, Lewis was arrested outside 's home for allegedly intending to shoot him. Lewis had already nearly killed his own bass player, Butch Owens, on September 29, 1976 (Lewis's 41st birthday) when a accidentally went off in his hand. In Rick Bragg's 2014 authorized biography, Jerry Lee Lewis: His Own Story, Lewis said that the reclusive Presley had been trying to reach him and finally did on November 23, imploring him to 'come out to the house.'

Lewis replied that he would if he had time but that he was busy trying to get his father, Elmo, out of jail in, for. Later that night, Lewis was at a nightclub called Vapors drinking champagne when he was given a gun. Lewis suddenly remembered that Elvis wanted to see him and, climbing aboard his new with the loaded pistol on the dash and a bottle of champagne under his arm, tore off for Graceland.

Just before three o'clock in the morning, Lewis accidentally smashed into the famous Graceland gates.Presley's astonished cousin Harold Lloyd was manning the gate and watched Lewis attempt to hurl the champagne bottle out the car window, not realizing it was rolled up, smashing both. Bragg reports that Lewis denies ever intending to do Presley harm, that the two were friends, but 'Elvis, watching on the, told guards to call the police.

The Memphis police found the gun in the car and put Lewis, protesting, hollering, threatening them, away in handcuffs.' Lewis said, 'The cops asked Elvis, 'What do you want us to do? And Elvis told 'em, 'Lock him up.' That hurt my feelings. To be scared of me – knowin' me the way he did – was ridiculous.'

Lewis was charged with carrying a pistol and public drunkenness. Released on a $250 bond, his defiant mugshot was wired around the world. Presley himself died at Graceland eight months later. Financial issues In 1979, the seized property from Lewis to compensate a $274,000 tax debt. The property included several automobiles, a tractor, five motorcycles, jewelry, musical instruments, home entertainment equipment and firearms. In 1980, an auction was held, but only 150 potential bidders showed up.

The auction amassed $91,382, less than a third of the debt.In 1984, he was found innocent of evading taxes. However, the next year, the IRS seized property from Lewis’ ranch in Nesbit.In 1988, Lewis filed a bankruptcy, petitioning that he was more than $3 million in debt, including $2 million he owed to the IRS. Health problems On February 28, 2019, Lewis suffered a minor stroke in Memphis. He is expected to fully recover and had to cancel a few upcoming appearances. Piano style Lewis is widely hailed as one of the most influential pianists in the history of rock and roll. In an often quoted tribute, Elvis Presley once said that if he could play the piano like Lewis he would quit singing.

Lewis's pivotal role in popularizing the piano in rock and roll is indisputable. Up until his arrival, the music had been primarily associated with guitars, but his early Sun recordings and television appearances pushed the instrument to the forefront. Lewis was also an incendiary showman who often played with his fists, elbows, feet, and backside, sometimes climbing on top of the piano during gigs and even setting it on fire.

Like Chuck Berry's guitar playing, Lewis's piano style has become synonymous with rock and roll, having influenced generations of piano players.In a 2013 interview with Leah Harper, recalls that up until 'Great Balls of Fire,' 'the piano playing that I had heard had been more sedate. My dad collected George Shearing records, but this was the first time I heard someone beat the shit out of a piano.

When I saw Little Richard at the Harrow Granada, he played it standing up, but Jerry Lee Lewis actually jumped on the piano! This was astonishing to me, that people could do that.

Those records had such a huge effect on me, and they were just so great. I learned to play like that.'

Lewis is primarily known for his 'boogie woogie' style, which is characterized by a regular left hand bass figure and dancing beat, but his command of the instrument and highly individualistic style set him apart. Appearing on Memphis Sounds with in 2011, Lewis credited his older piano-playing cousin Carl McVoy as being a crucial influence, stating, 'He was a great piano player, a great singer, and a nice looking man, carried himself real well.

I miss Carl very much.' Lewis also cited as a source of inspiration. Although almost entirely self-taught, Lewis conceded to biographer Rich Bragg in 2014 that Paul Whitehead, a blind pianist from Meadville, Mississippi, was another key influence on him in his earliest days playing clubs. Although Lewis's piano playing is commonly labeled boogie woogie, gospel music was another major influence in the formation of his technique. In Joe Bonomo's 2009 book Jerry Lee Lewis: Lost and Found, Memphis producer and musician calls Lewis's occasional penchant for interrupting the standard boogie woogie left-hand progression by omitting the seventh and repeating the fifth and sixth, creating a repetitive, driving, quasi-menacing momentum, 'revolutionary, almost inexplicable. Maybe, maybe Moon Mullican had done it, but not in a way that became the propelling force of the song.

Rock and roll piano up to that point had been defined by Rosco Gordon, and to an extent, Ray Charles. None of them were doing that. Even Little Richard, as primitive as he plays, wasn't doing that shuffle. There was something in Jerry Lee that didn't want to play that seventh, and that's the church. Certainly in white spiritual music you avoid sevenths.'

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at the (archived August 15, 2010). interviewed on the (1969). – The Best of the Stan Freberg Shows (1959). – (1960). (producer) – FDR Speaks (1961). – Humor in Music (1962). – The Story-Teller: A Session With Charles Laughton (1963).

(playwright) – (1964). – BBC Tribute to John F.

Kennedy (1965). (producer) – John F.

Kennedy - As We Remember Him (1966). – Edward R. Murrow - A Reporter Remembers, Vol. I The War Years (1967). – Gallant Men (1968). – Lonesome Cities (1969).

& – We Love You Call Collect (1970). – Why I Oppose the War in Vietnam (1971). – (1972). (producer) – Lenny performed by the original Broadway cast (1973). – (1974). and – Good Evening (1975). – (1976)., and - Great American Documents (1977).

Jerry Lee Lewis Albums Ranked

– (1978). – Original Motion Picture Soundtrack (1979).

– Ages of Man - Readings From (1980)1981−2000. –, Gertrude Stein, Gertrude Stein (1981). – (1982). (producer) – - The Movie on Record performed by Various Artists (1983). – (1984). – The Words of Gandhi (1985).

(producer) & the original Broadway cast – (1986)., and – Interviews From the Class of '55 Recording Sessions (1987). – (1988). – Speech by Rev. Jesse Jackson (1989). – It's Always Something (1990).

– (1991). – (1992). and Robert O'Keefe – What You Can Do to Avoid AIDS (1993). – (1994). – Get in the Van (1995). – Phenomenal Woman (1996).

– (1997). – Charles Kuralt's Spring (1998). – (1999). – The Autobiography of Martin Luther King Jr., Rick Harris & John Runnette (producers) – (2001)., Jeffrey S. Thomas, Steven Strassman (engineers) and Elisa Shokoff (producer) – Q: The Autobiography of Quincy Jones (2002). and Charles B.

Potter (producer) – /, Nathaniel Kunkel (engineer/mixer) and (producer) – (2003). and Paul Ruben (producer) – (2004). – (2005).

– (2006). – / and - With Ossie and Ruby (2007). and Jacob Bronstein (producer) – (2008)., and – by (2009).

– Always Looking Up (2010). – (2011). – If You Ask Me (And Of Course You Won't) (2012).

– Society's Child (2013). – (2014).

– Diary of a Mad Diva (2015). – (2016). – In Such Good Company: Eleven Years of Laughter, Mayhem, and Fun in the Sandbox (2017).

– (2018). – Faith: A Journey for All (2019).